2023 Roundup

As the year draws to a close, I can safely safe that 2023 has been my most successful year as a writer. Not only have I signed with an agent, but I’ve proven that I can earn some money from publication. I’m still far from earning enough to cover my living expenses, but this year has given me plenty of hope for next year.

Here’s a roundup of every tangible success from the year:

 

Free to Access Online Publications:

‘The Slumbering Dragon’ (first prize)

‘Enduring Love’ (first prize)

‘Lost Property’ (short list)

 

Anthologised and Available to Purchase:

‘Baby on Board’ (short list)

 

Other Competition Successes (but not published):

‘From the Ashes’ (first prize) – and will hopefully be anthologised at some point!

‘Another Man’s Treasure’ (long list)

 

To anyone who has read and engaged with any of my stories, I can only say a huge thank you. Writing is a solitary process, and it’s been an entirely new (and humbling) process to connect with readers. You are the community who really makes this occupation meaningful.

In 2023, I entered 29 competitions (which translates to a success rate of 20 per cent). I’d like to increase this number in 2024 with the hope of similar fortunes.

While I can’t control what happens with the novel, I can edit the sequel (now drafted) to make it more effective. I’m in the process of sharing it with readers to help me gauge where I need to make improvements. I hope that process will be complete by the middle of the year.

If I can’t find a publisher for my first novel (even with an agent), one thing I can try is to appeal to a very different reading market. I have a concept for a new novel (adult fiction) that I hope to write before the end of 2024.

Another exciting thing which I mentioned in the last blog for next year is the possibility of writing for Fiction Express. If I complete three or four projects with them, that should give me enough money to cover my living costs for the year. That’s all I’ve ever wanted, to earn enough to live and keep writing. Anything beyond that is a huge bonus. It seems like the destination is in sight.

Whatever you hope for 2024, I wish you a successful and fulfilling year ahead!

 

Doors Opening

My agent contacted me today with some potentially exciting news: an organisation had contacted her to see if I was interested in being involved in their writing projects. The organisation is called Fiction Express, and it aims to encourage young people to develop a love of reading. Over a half term, they release a chapter of a new book each week, and the young people involved have the chance to read and vote on where the story will go next. 

From the writer’s perspective, it sounds like an intense experience, but I have been involved in short story competitions this year that have also required very tight turnarounds, so I’m up for the challenge. I also believe, at this stage in my career, that it’s important to say ‘yes’ to any opportunity that comes my way. This is the first thing that I’ve seen in addition to my own personal novel projects where I believe I could earn enough to cover my living costs for the year. 

It’s great that my agent has passed this on to me, and I feel again so incredibly grateful that she decided to offer me representation. I’m officially on the DKW website’s list of authors, which is a big confidence boost as well. I think that the organisation may have approached my agent because of that profile, so it’s excellent that even though the novel may not yet have interest from publishing house editors (only three rejections so far), having an agent is opening doors in other ways. There have been times when I’ve weighed up the advantages and disadvantages of going for traditional publication versus self-publication, and this is one of those moments of definite ‘advantage’ for the traditional route, something I didn’t know about until now. 

 Anyway, I’ll finish by taking the opportunity to wish you all a very Merry Christmas and a Happy New Year!

Always Check Your Junk Mail

The title says it all... I happened to check my junk inbox today and discovered that I'd come in first place in a story competition. For eight whole days, my work has been published online, and I've been none the wiser! Anyway, you can check out the story ‘The Slumbering Dragon’ here.

According to my records, there should be a £300 prize for first place in this competition. Hopefully, this should come my way now that I’ve responded to the email from the competition organisers. If it does, it will be a dream come true, as I will be in profit from my ventures into short story competitions.

Reaching a longlist was incredible, but perhaps a fluke. Reaching a shortlist and being published was amazing, but perhaps just a one-off. To win a competition and be published a second time suggests that people do actually want to read what I have to write.

It’s still early days, but I’d love to make a career from my writing. My agent is currently approaching editors at publishing houses for my YA Fantasy novel. It will be at least six weeks before we hear anything about it. Garth Nix (a fellow writer!) wrote a post comparing this stage to 16^th-century merchants setting out in their ships across the sea, uncertain whether their venture would lead to profit or shipwreck. To keep busy, I’m at work with the sequel. But if nothing comes from the novel series, I have plenty of other projects to consider in future years.

Representation

It’s been quite a week. First came the news I’d reached the shortlist in the flash fiction competition, and then the conversation with the agent who had read the full manuscript for the novel. I’ve been sitting on exciting news since Thursday, hardly able to trust its reality, terrified it would be snatched away, but now that I’ve signed the relevant documentation, I can share it: I have accepted an offer of representation!

It’s been a long journey. I first embarked upon the quest for publication in 2006 with a novel that I shelved several years later. Two full novels later, various concepts that never made it to completion, and six drafts of my current project later, I’m now a client at DKW Literary Agency under the representation of the lovely Camille Burns.

This is a bigger step than I ever believed I would take. Secretly, I expected, when I quit my paid job last summer, to be back in some sort of educational setting (probably tutoring) part-time after a year out without any glimmer of hope. I wouldn’t give up, but I’d shelve the current novel (having exhausted the list of agents that I thought might take an interest) and write a new novel, to begin the long process again. I have a novel already conceptualised, that I was planning to draft in January 2024. I was working to a five-year plan that would eventually lead to self-publication of several novels. It would be a route into publication, and maybe I would find some success, but it would not be my dream path…

However, gaining an agent means I have access to the traditional route into publishing and all the benefits in terms of connections and industry experts. Just in brief conversations with Camille so far, I’ve received feedback that I’ve never received elsewhere that has been transformative for the novel (and right now I’m planning out a major redrafting of the final third), and her works have also made me consider areas of publishing that I’ve never considered, things like overseas and translation. I don’t know if my novel will ever have the level of success to require those kinds of services, but I know that it’s the sort of thing that wouldn’t have occurred to me if I were going it alone.

This has all come about because of the Bradford Literary Festival sessions where writers could pay to meet an agent and receive a critique of their work. Meeting an agent face-to-face, in a setting where that agent was paid to consider your work (rather than look for excuses to skip over it since they have another thousand hopefuls to also consider that day), really did make all the difference. And it makes such a big difference to have someone who is really enthusiastic about your writing, who believes that what you’ve written deserves to be read. If you are reading this as an aspiring writer, I strongly encourage you to check out Jericho Writers – a website that facilitates conversations between writers and agents, similar (if more expensive) than what I was lucky enough to be involved in at the literary festival.

Telling people that I have written a book is often a process of ‘expectation management’, since people who don’t know the industry often believe that reaching ‘the end’ means the book will be published the very next day. Even with an agent, it might be years before a publisher takes interest in this novel, if at all. However, it’s a palpable step, and I’m very excited to see where this road will take me.

As always, I can’t thank enough the fellow writers on Critique Circle, who’ve always given me such valuable and thoughtful feedback on my work. And thanks to everyone who has celebrated my small successes over the last twelve months: I’m so grateful for all your support.

Buns for Tea

 

I have exciting news: I can finally call myself a published writer!

This month, I reached a shortlist on The Bi-monthly FreeFlash Fiction Competition, which results in publication on the website and a small prize of £20 (minus the £3.50 entry fee, of course). A real earning from my writing! The story itself is only 300 words, so it ends up at about six pence per word. But the validation is priceless.

The shortlisted story is called ‘Lost Property’ and can be read here. Warning: it is a very dark story exploring how aspects of modernity may enable predatorial behaviour.

I should also give a huge shout out to all the critters on CritiqueCircle who gave feedback on an earlier draft of this story. I made a lot of substantial changes based on their input before I entered the story into this competition.

Write, edit, submit: the strategy is beginning to work.

The results are in...

 I have a small bit of news: I can now say I’m a longlisted writer.

A short story I wrote earlier this year called ‘Another Man’s Treasure’ made it onto the Frome Short Story Competition Long List 2023. You can click here to see the list, but it’s nothing exciting - it doesn't even say my name.

However, a longlist is a glimmer of hope. It means that a judge liked the story sufficiently to recognise it. It doesn’t mean that I’m published, though it does mean that I can try the story elsewhere to see whether a different judge in another competition would like it more.

It also means I can add this to my writing CV to hopefully make me stand out a little when querying agents for my novel. I don’t know whether I will have any success with the agent who is currently reading my full manuscript. I have to be prepared to be back in the usual position, with no agent, trying to reach out to others across the cybergulf. But if that’s where I am in a few months’ time, at least I’ll be able to tell agents that I am a longlisted writer.

How to Meet an Agent

 I have a little news: an agent has asked to read my full manuscript.

This is a tiny step that has never occurred before. It’s still very early days because the agent may read the entire novel and decide it would be too hard to sell. I’ve accepted that. However, she has promised to give feedback, so even in that scenario, hopefully her advice will make it more attractive to other agents. She’s already given me some excellent feedback on the opening chapters that I’m working to implement before I send it back to her.

Getting a full manuscript request has always been the stumbling point, the point at which I put my novels on hold and write something new. In some ways, the last ten months have been harder than when I was submitting to agents in my teens. Back then, I received a nice piece of paper with a generic rejection after a long wait. These days, the best I have received is an email, and in most cases, nothing at all.

It turns out that submitting work to the slushpile (the inbox of an agent) isn’t the best way to approach an agent. The route into communication with this agent came from a very different avenue: my attendance at Bradford Literary Festival.

I don’t know how typical this is of literary festivals, but I should note here that Bradford Literary Festival 2023 was an amazing event for emerging writers. They had many sessions which were pitched to unpublished writers, and as well as offering encouragement, real stories and practical advice, they also had a 1:1 event to meet an agent.

I booked onto this event through luck. I had no idea it was happening until a writing buddy on Critique Circle told me that she was doing it, and then I was lucky enough that I was in the country to attend, because the day before we arrived home from a holiday in Europe. Anyway, after wrestling with my own insecurities briefly (the terrifying prospect of receiving verbal feedback), I decided to go for it, because that must be the attitude to make something happen.

I had no expectations for the event. The website description simply said it was a chance to receive feedback from an agent. I thought it would be helpful to know which elements of my pitch were off-putting, and more specifically if the novel concept itself just wasn’t saleable and I should work on something else. So, it was an amazing experience to be told by someone in the industry that my writing style is good. It’s a huge validation of all the efforts I’ve put in over the years.

A third piece of luck I should mention is the agent I originally booked to meet was unable to attend, and the agent I met replaced him. From researching her, I was already happy, because her bio expressed her interest in Young Adult, while the original agent (from a pick of three not yet booked up) seemed only partially suitable due to his interest in Adult Fantasy.

The lesson I have taken from the festival generally is that this is a much better way to get in touch with agents. Meeting them in person begins a dialogue, allows them to see your passion and understand your aims much better than a sentence or two bio in a query letter ever can. Another statistic I learned from another session at the festival is that a big agent receives 700 to 1000 submissions every week to their inbox, of which they might accept just two new clients a year. I always knew the chances were slim, but statistics like that really hammer home just how infinitesimally slim the odds are. A really good question was asked in the general agent meet, when they referred to how most of their clients are not unsolicited. Someone asked how they find new writers, then, if they don’t find them in the slushpile, and the answer was: events like this one.

If nothing else, I know to look out for future events which involve agents. And that my writing is good.